| FERROTYPE PRINTS OVERNIGHT |
| Res. 9/22/01 |
| | by Ted Peterson |
| | Most photographers have trouble getting a good gloss on their prints. Either the prints have spots on them or have what we call eggshell spots on them. |
| | The tins are expensive and will be ruined if they get scratched. |
| | A really good glossy print has its place in photography. When you send a print to a newspaper or modeling agency they ask you to send glossy prints. |
| | A good glossy will look better for many different types of pictures. When you give a group of prints to most people, they think glossy prints are better, even if you don't. |
| | Some of the amateur photographers will try to get around making glossys by using glossy paper and drying them in blotter rolls. This will give a semigloss. This is not as good as a good glossy. |
| | I have came up with a way that I am using and would like to share this with you. By using this method, you can correct any bad ferrotype prints when you work. |
| | You go through the regular developing, stop, fixing, washing, hypo clearing agent, and washing. |
| | At this time they put the prints into a pan with print flattener solution for 5-7 minutes with photo flo mixed in. |
| | When you put the print into the flattening solution, you put in th same number of sheets of clear acetate. They can be the same size or a little larger than the prints. This acetate takes the place of the tins and are less expensive. Also you can check then and see if they are working correctly. |
| | You slide a sheet of well wetted acetate under each print with the face of the print down on the acetate. Then lift out one piece of acetate at a time and place it with the back of the print down on a flat surface. |
| | Then line up the print and acetate so the acetate covers the print completely. |
| | Run a hand roller over the acetate-print sandwich so that you get most of the water out. You do not have to use a lot of pressure. |
| | You will be able to observe if good contact is made. If you make a bad contact, put the print and acetate back into the flattening solution and do it over again. |
| | Do not put this sandwich on a dryer or use any heat on it as the acetate will melt into the print and you will have a big mess. |
| | One way that you can dry the print faster is to put them into a blotter roll. Pull it tight to keep the prints from coming off the acetate before they are dry. |
| | You can use a fan to help them dry. |
| | When they are dry. (12 hours or so) all you have to do is peel off the prints. |
| | The acetate will last for years, but if they get bad you are out only $.50 to $1.50 each. Buy the thin acetate so they will roll up in the blotter roll. |
| | Any art store has acetate from size .005 and up. When tins sell from $3.00 to $5.00 each you can see what you can save. Also you can see what you are doing. |
| | Go ahead and try this. Start with a few pieces of acetate first and see this will work ok with you. Let me know what you think about this way on how to ferrotype you prints. |
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